COLLECTIONS
COLLECTIONS
INTALLATIONS
ABOUT
ABOUT
My life in London has roots that snake across continents and cultures. I am a mother-maker whose art in sculpture, collage, installation and poetry is a record of life as I see, feel, hear and hold. Through my making using ways of old and ordinary, I hope to remake a different telling of this story of life with no fixed beginning, middle or end. I work with clay, earth, ceramic, paper, wood, ink, paint and found print. In a world of the fast and furious, mine is a slow practice of listening, observing, depth, care, freedom and above all acceptance.
I meld form, pattern, and colour meshing materials drawing on my eastern ancestral knowledge of clay, cloth and colour. With a childhood deeply rooted in Kolkata’s Durga Thakur tradition, my association with clay is not with the ubiquitous pot
but that of the monumental idol of the Durga Protima. To me practice is devotion, sculpture, tradition, alive, story-carrying, godly-mortal, recording and replaying,
shape changing, bringer of communion, maker of community, and gloriously celebrates ours humanity.
Rooted in storytelling, I examine the human experience and contemporary life through intricate patterns and fluid forms. I merge age-old techniques with contemporary sensibilities influenced by Bengal’s artisanal traditions, creating richly
detailed surfaces.
A muddled life of moving lands many times, I am a reader and recorder of people. My visual chronicles of memory and belonging arise through experimenting with scale and materiality, I seek to transforms personal moments into universal reflections, weaving past and present, east with west to create a visual record of the evolving human condition.
Kumar Tuli, Kolkata © Devi Chakrabarti, India, 2018
CONTACT
RAZZLE DAZZLE
Glazed Stoneware Ceramic, Birch
2023
Height 76cm
RAZZLE DAZZLE is a distended male head form inspired by WWII Dazzle Camouflage also known as Razzle Dazzle (in the US). It was a type of ship camouflage that was used in the World Wars. Credited to the British marine artist Norman Wilkinson, it consisted of complex patterns of geometric shapes in contrasting colours interrupting and intersecting each other. Unlike other forms of camouflage, the intention of dazzle is not to conceal but to make it difficult to estimate a target's range, speed, and heading. Norman Wilkinson explained in 1919 that he had intended dazzle primarily to mislead the enemy about a ship's course and so cause them to take up a poor firing position.