My life in London has roots that snake across continents and cultures. I am a mother-maker whose art in sculpture, collage, installation and poetry is a record of life as I see, feel, hear and hold. Through my making using ways of old and ordinary, I hope to remake a different telling of this story of life with no fixed beginning, middle or end. I work with clay, earth, ceramic, paper, wood, ink, paint and found print. In a world of the fast and furious, mine is a slow practice of listening, observing, depth, care, freedom and above all acceptance.

 

I meld form, pattern, and colour meshing materials drawing on my eastern ancestral knowledge of clay, cloth and colour. With a childhood deeply rooted in Kolkata’s Durga Thakur tradition, my association with clay is not with the ubiquitous pot

but that of the monumental idol of the Durga Protima. To me practice is devotion, sculpture, tradition, alive, story-carrying, godly-mortal, recording and replaying,

shape changing, bringer of communion, maker of community, and gloriously celebrates ours humanity.

 

Rooted in storytelling, I examine the human experience and contemporary life through intricate patterns and fluid forms. I merge age-old techniques with contemporary sensibilities influenced by Bengal’s artisanal traditions, creating richly

detailed surfaces.

 

A muddled life of moving lands many times, I am a reader and recorder of people. My visual chronicles of memory and belonging arise through experimenting with scale and materiality, I seek to transforms personal moments into universal reflections, weaving past and present, east with west to create a visual record of the evolving human condition.